About MIA Photo Honest, The Intercontinental Pictures Fair in Italy

Conceived in 2011 from the plan of Fabio Castelli, MIA Good is the most prominent artwork good committed to pictures in Italy. The honest features a exceptional solution by presenting Solo Clearly show and Group Exhibit with a certain curatorial undertaking. Its target is to highlight the purpose that pictures performs in the languages of expression of the present-day art process.

Educational Nature Coaching Party For Collective Knowledgeable

MIA Photograph Truthful has produced a new collectors’ base that ways up to date art by means of the collection of pictures.

The fair supplies a productive cultural application, with activities and conferences focused to the entire world of art and pictures.  It aims at supporting a conscious collector with insights and important company in the Italian and global art scene.

MIA Honest presents art collectors the working experience of a distinctive view of the Italian photography art sector, ranging from established to rising artists. 

Larissa Ambachtsheer (1993) lives and works in The Hague (NL). She had her artwork diploma in 2017 at the Royal Academy of Visual Arts in The Hague. Her get the job done focuses on existing problems these as human habits, and aware and sustainable way of living. She signed the Model Picture of Mia Artwork Truthful 2022.

MIA Reasonable 2021 In Figures

The next are the figures and routines of MIA Truthful 2021, the honest dedicated to pictures directed by Fabio Castelli and Lorenza Castelli at SUPERSTUDIO MAXI – By means of Moncucco 35, Milan.

Collaborating in the 10th edition of the MIA Photograph Fair are 90 galleries coming from 16 distinctive countries along with are other 50 exhibitors, divided into 13 specialised editors, 9 media companions, 5 exhibitions, 17 conferences, and 5 awards, bringing the whole number of exhibitors to 140, in an exhibition spot of 7.000 sq. mt.

MIA Art Fair 2022

Awarded Prizes

Throughout the times of the fair 6 prizes have been awarded: the BNL BNP Paribas Group Award an acquisition award which enriches the Banks’s art selection the G*AA Architecture Images Award, in partnership with Attilio Giaquinto’s Studio G*AA and with Tiziana Bonomo’s ArtPhotò, committed to architectural photography and aiming to greatly enhance its potential to make the community find the area, atmospheres, landscapes and transformations that are skilled on a everyday foundation the New-Submit Images Award, born in 2020, marketing the new languages of a pictures capable of confronting the modern day planet in an innovative way the Premio Esplorare Gavi – Immagini d’autore dal Piemonte, promoted by the Consorzio Tutela del Gavi, aming to greatly enhance the territory of Gavi Docg through images, telling its unique attributes, its landmarks, its protagonists and the diverse activities that can be lived in this stunning area the PUNCTUM Prize – Chromatic Synaesthesias, promoted by the Maimeri Basis with the scientific sponsorship of the Università degli Studi di Milano (Department of Cultural and Environmental Heritage and Section of Historical Studies), tackled to professional and amateur photographers who want to query on their own on the partnership concerning photography and colour and the Codice MIA Award 2019, an special porfolio evaluation devoted to mid-occupation artists, conceived and curated by Enrica Viganò, curator and picture critic.

Over and above Pictures

Outside of Pictures is the format that aims to underline what ‘photography’ suggests now, specially relating to the globe of up to date artwork. In just it, the new portion Outside of Pictures – Dialogue, with the curation of Domenico de Chirico, focuses on galleries advertising and marketing the most latest generations of global artists.
Its exhibition undertaking is certainly a dialogue in between Photography and a one operate created with other media such as sculpture, installation, painting, and online video. Over and above Images-Dialogue is an elite area of experience that places Pictures at the center. It does this in a way that, by opening itself to new modern kinds of “dialogue”, legitimizes its specificity and abstracts from the confines of its historical past.

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